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It also includes proportional and tabular numerals for the supported languages. Oustad Arabic supports Arabic, Persian, and Urdu. This font is a contribution to the modernization of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. If you are looking for Arabic fonts online, Oustad Arabic is designed by Naghi Naghashian. Find these great calligraphy fonts online. The same is true for the typeface’s Arabic-script dots and marks. Many of Diodrum’s strokes begin or end with lightly-sheared lines these subtle angles add a trace of calligraphy back into the static language of sans serifs. Since both the Arabic and the Latin letterforms in Diodrum are monolinear, we have employed another method to increase the prominence of horizontality: the counterforms are large and open, and the letters’ middle sections are accentuated. Arabic typically places a stronger emphasis on the horizontal than the Latin script does. The typeface has been optimized for corporate identity work, editorial design, and UI/UX projects. Diodrum Arabicĭiodrum Arabic is a low-contrast Naskh family with six weights.
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While Molsaq Arabic doesn’t include Opentype features and only support the Arabic script.
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Molsaq Latin includes all the Opentype features and the full languages support, except for the Arabic script.
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Molsaq Pro comes with many Opentype features such as stylistic alternates, ligatures, swashes, and small caps. With 1050 glyphs, Molsaq Pro supports Arabic, Farsi, Urdu, and Kurdish, it also supports more than 60 languages that use the Latin script. Molsaq is an Arabic script font perfect for setting applications that require tight leading, such as posters, hence the name, which means poster in Arabic. Stroke contrast is low, but there is still some modulation at junctures, keeping typographic color from getting too dark Palatino® ArabicĪ multilingual type family that features a modern Arabic Naskh with very short descenders and ascenders, which matches with a full-caps Latin counterpart. Kohinoor Arabic’s clear, inviting, and easy-to-read letterforms are drawn in the Naskh style, with large and open counters.
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This Arabic font typeface is ideal for text-heavy multilingual projects, including corporate design editorial design electronic-embedding in apps navigation and signage systems product instruction manuals television subtitling or UI/UX. Kohinoor Arabic is part of Kohinoor Multiscript, a sans serif superfamily covering many of India’s official writing systems. It is mainly designed for public advertising and publication and it comes in 6 different weights thin, light, regular, medium, bold and outlined bold. PakType NaqshĪqlaam is an Arabic typeface with rounded letterforms. The font is suitable for design projects which require an impression of authentic Arabic style including web and print. The font simulates the unskillfully writing styles on things like pilgrimage paintings and old Arabic manuscripts. Tawasul is an Arabic font that is inspired by Arabic folklore. Mawzoon suits a various range of creative projects including print, web, advertising, and mobile applications. Letter forms feature a solid geometric structure with edgy terminals which come in two styles (Normal and Oblique). Mawzoon (which is the Arabic word for balanced) is an Arabic display font that is heavily inspired by the Ruq’ah script. It also suits branding, print, and web design.
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The font mainly suits typographic compositions, ornamental designs, and abstracts. The word Takween is Arabic for composition. Takween is an Arabic display font that is inspired by the Mashrequi writing style. It features two weights and it suits visual identity design, art events, packaging and contemporary art projects. Fenoon is an Arabic display font that is inspired by the ancient Square Kufic script.
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